In 2021 she was a semi-finalist in the Helmut Deutsch Lied Competition in Vienna and in 2020 she represented HfM Karlsruhe at the Felix Mendelssohn Bartholdy Hochschulwettbewerb in Berlin and was a semi-finalist in the international competition DEBUT in Weikersheim, Germany. In 2021 she recieved the Christina Nilsson scholarship and the same year she became semi-finalist in the Helmut Deutsch Lied Competition in Vienna. In 2020 she represented HfM Karlsruhe at the Felix Mendelssohn Bartholdy Hochschulwettbewerb in Berlin and was a semi-finalist in the international competition DEBUT in Weikersheim, Germany.
In the summer of 2022 she sang the role of prince Arieno in Vadstena-Akademien's production of the opera Il colore fa la regina byC. F. Pollarolo, an opera that recieved it's world premiere in modern times since it was first written for and played at the opening of the Venetian carnveval in the year 1700. In August she was also invited as a soloist together with Norrköping's symphony orchestra conducted by Garbriella Teychenné. Previously perfomed roles include Mrs Grose in Britten's The turn of the screw, Zita in Puccini's Gianni Schicci, Isabella in Rossini's L'italiana in Algeri and A in the world premiere of the opera Glashaus by Marc D. Ferrum. Studied roles include Dritte Dame in Mozart's Die Zauberflöte, Orfeo in Gluck's Orfeo ed Euridice, Olga in Tchaikovsky's Eugen Onegin and Maddalena in Verdi's Rigoletto.
Perfomed roles include Mrs Grose in Britten's The turn of the screw, Zita in Puccini's Gianni Schicci, Isabella in Rossini's L'italiana in Algeri and A in the world premiere of the opera Glashaus by Marc D. Ferrum. Studied roles include Dritte Dame in Mozart's Die Zauberflöte, Orfeo in Gluck's Orfeo ed Euridice, Olga in Tchaikovsky's Eugen Onegin and Maddalena in Verdi's Rigoletto. The performed oratory repertoire include among others Mozart's Requiem, Pergolesi's Stabat Mater, Monteverdi's Vespro della Beata Vergine, Haydn's Stabat Mater, Händel's Messiah, Saint-Saens' Christmas oratorio and Duruflé's Requiem as well as a number of Bach cantatas and masses. With the extensive choir background and a strong passion for ensemble musicianship she now sings regularly with ensembles such as the Swedish Radio choir, Eric Ericson's chamber choir, Vokalharmonin and Maria Magdalena vocal ensemble. The opera choir experience includes Drottningholms slottsteater's productions of Rameau's Pygmalion (2018) and Mozart's Don Giovanni (2016), Folkoperan's staged production of Bach's St: Matthew passion (2014) and the festival Opera på Skäret's production of Verdi's Othello (2014). Recieved scholarships include the DAAD Stipendium, Drottningholmsteatern Vänner's scholarship for education, the Marthe Urzander & Lars-Olov Nyhlén scholarship, the Swedish Royal Academy of Music's national and local scholarship as well as the Royal college of music's scholarship.
