She currently studies with Prof. Christiane Libor and Anna Larsson. In 2021 she was a semi-finalist in the Helmut Deutsch Lied Competition in Vienna and in 2020 she represented HfM Karlsruhe at the Felix Mendelssohn Bartholdy Hochschulwettbewerb in Berlin and was a semi-finalist in the international competition DEBUT in Weikersheim, Germany.
Perfomed roles include Mrs Grose in Britten's The turn of the screw, Zita in Puccini's Gianni Schicci, Isabella in Rossini's L'italiana in Algeri and A in the world premiere of the opera Glashaus by Marc D. Ferrum. Studied roles include Dritte Dame in Mozart's Die Zauberflöte, Orfeo in Gluck's Orfeo ed Euridice, Olga in Tchaikovsky's Eugen Onegin and Maddalena in Verdi's Rigoletto. The performed oratory repertoire include among others Mozart's Requiem, Pergolesi's Stabat Mater, Monteverdi's Vespro della Beata Vergine, Haydn's Stabat Mater, Händel's Messiah, Saint-Saens' Christmas oratorio and Duruflé's Requiem as well as a number of Bach cantatas and masses. With the extensive choir background and a strong passion for ensemble musicianship she now sings regularly with ensembles such as the Swedish Radio choir, Eric Ericson's chamber choir, Vokalharmonin and Maria Magdalena vocal ensemble. The opera choir experience includes Drottningholms slottsteater's productions of Rameau's Pygmalion (2018) and Mozart's Don Giovanni (2016), Folkoperan's staged production of Bach's St: Matthew passion (2014) and the festival Opera på Skäret's production of Verdi's Othello (2014). Recieved scholarships include the DAAD Stipendium, Drottningholmsteatern Vänner's scholarship for education, the Marthe Urzander & Lars-Olov Nyhlén scholarship, the Swedish Royal Academy of Music's national and local scholarship as well as the Royal college of music's scholarship.