The season 2020/21 has Auer been affiliated to The Royal Opera in Stockholm in four productions:
"När då då", "Carmen", "Löftet” and “Ariadne auf Naxos”.
Due to the corona pandemic have performances been canceled or postponed but the premiere of "Carmen" and the debut as Frasquita took place on the 31 of October 2020.
She also made her debut with Norrköping Symphony orchestra in “Önskekonserter” in the spring of 2020.
- Agnes Auer stands for some of tonight´s highlights. With her lyric soprano, Auer shows an example of empathy and variation…” "What a joy to listen to her broad register and honeyed voice when she calmly switches between genres…”www.nt.se
In 2022 she sang Rosa in the world premiere of M. Larsson-Gothe and S. Markos opera“Löftet” at The Royal Opera in
Stockholm and in the summer of 2021 - the world premiere of the opera “Zebra” by T. Monnakgotla/K.Perski at Vadstena-Akademien premiered at the end of July. Auer has a deep love for Mozart’s operatic and sacred repertoire with parts such as Susanna (Le nozze di Figaro) but also for new music and bel canto repertoire.
Her sacred repertoire contains works such as ”Messiah” G. F. Händel, ”Matthäus-Passion” J. S. Bach , "Ein Deutsches requiem" J. Brahms and many more.
She made her debut with Malmö Symphony Orchestra as a soprano soloist in Brahms "Ein Deutsches Requiem" with conductor Evan Register and gave concerts together with Scenkonst Sörmland and pianist David Huang in 2017.
2018 included a leading role in the world premiere of ”Norrmalmstorgsdramat – att dö på sin post” - an opera by A. Schnelzer and P. Sörling that had its world premiere at Vattnäs concert barn. Auer has sung many sacred concerts as a soprano soloist with works such as ”Johannes-Passion” with Drottningholm baroque ensemble, Mozart Requiem, and ”God in Disguise” L-E. Larsson, just to mention a few. In 2019 she´s had made another role debut as "the Dressmaker" in a new chamber opera by A. Emilsson and D. Viklund in Dala-Järna where she´s returning this summer in the opera “Vildmarkspoeten” with a planned premiere midsummer weekend 2021.
Agnes received her education from The Academy of Opera in Oslo, The Royal College of Music in Stockholm with a year abroad at Sibelius-Akademin. She also holds BA in church music from Ersta Sköndal University College (Stockholm).
During her studies at the Academy of Opera, she sang roles such as Pamina "Die Zauberflöte" W. A. Mozart (2014), Susanna "Le nozze di Figaro" W. A. Mozart (2015) Giulietta "I Capuleti e i Montecchi" V. Bellini (2015), Lauretta “Gianni Schicchi” at the Norwegian Opera and Blanche de la Force in scenes from "Dialogues des Carmélites" F. Poulenc at the main stage of the Academy of the arts in Oslo (2016).
Auer has also been granted several scholarships with support from Anders Sandrew found, Hans Dalborg scholarship found and The Royal Academy, just to mention a few.
In 2017 she was granted the prestigious “Confidence scholarship” from Anders Wall foundation.
Recently engagements included Echo in Ariadne auf Naxos at The Royal Opera in Stockholm season 2022-23 and Ålevangeliet at Folkoperan.